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WHAT’S NEW
• NEW! Now with 8 HDMI (v1.3c) inputs and 2 parallel HDMI
(v1.3c) outputs
• NEW! The latest Sigma Designs VXP broadcast-quality digital
video processing:
– Deep color support over HDMI
– Improved noise reduction through block artifact and mosquito noise reduction
• NEW! PCM input is up to 7.1 channels at 24 bits / 192 kHz
• NEW! Two dual-core audio DSP engines (an Anthem design!) offer a total of 800 MIPS to allow decoding of the new Dolby and DTS-HD audio standards
• NEW! Dolby Volume (to be added soon as a free software download from our website at www.anthemAV.com)
• The critically acclaimed Anthem Room Correction (ARC™) system is included!


The Anthem Statement D2 ushered in a new era of music and home theater performance. With the unparalleled flexibility you had come to expect from Anthem processors, it provided the versatility and the adjustability you needed (and still need!) to make all your digital video
components work together seamlessly. The results were spectacular.
That was then, this is now. If there were another word, a better word than “spectacular” to do the D2v justice, to describe its phenomenal abilities succinctly, we’d use it. But there isn’t. The new feature set
(provided above right) has taken the D2v to an entirely new level of performance. True next-generation performance. To truly do it justice,
you need to give it a listen.
Designed, engineered and manufactured in North America, the D2v remains the ultimate high-end statement—the final word in digital audio and digital video processing, not to mention, through ARC, its ability to solve the problems of “the room.” Full details are available on the following pages.

SOUND FROM HDMI SOURCES PLAYS PERFECTLY, AT LEAST IT DOES IF YOU’RE USING A D2v

Why? In the D2v, all eight HDMI inputs are connected through highperformance TMDS (Transition Minimized Differential Signaling) timing
regenerators and multiplexers. The receiver contains a programmable equalizer and a Clock Data Recovery (CDR) function for each of the three
TMDS pairs in an HDMI or DVI signal. The TMDS data outputs are regenerated and perfectly aligned to the regenerated TMDS clock signal,
creating an extremely clean low-jitter DVI/HDMI signal that is easily decoded by the HDMI receiver. This is particularly useful for cleaning up a noisy/jittery source, or when a long or low-quality cable is being used.

BROADCAST-QUALITY DIGITAL VIDEO PROCESSING

• Video Format Conversion—the latest-generation Sigma Designs VXP broadcast-quality digital image processor (supporting deep color and
better-than-ever video algorithms!) converts any SD or HD video standard to other video standards.
• Quadruple video output configuration makes it easy to switch from one configuration to another.
• Superior image quality using per-pixel processing and motion-adaptive de-interlacing ensures optimal image sharpness and picture resolution.
• Dynamic directional interpolation eliminates jaggy artifacts found in traditional de-interlacing algorithms.
• Full film-mode detection for all SD and HD inputs.
• Video transcoding allows S-Video and Component Video inputs to be digitally processed and enhanced, and then routed through the Component or HDMI outputs.
• Each source can be adjusted independently for best picture.

ENHANCED VIDEO PERFORMANCE

• Adjustable cropping
• Aspect ratio control
• Chroma bug filter
• Frame lock
• Gamma correction
• Adjustable noise reduction
• Adjustable detail enhancement
• Custom output resolution and timing via PC utility
• All on-screen displays are shown through HDMI and Component Video
• On-screen display shows adjustments being made (can be disabled)
• All functions are available for HD input

STATE-OF-THE-ART DIGITAL AUDIO PROCESSING

• The 24-Bit/192-kHz precision upsampler operates on all digital audio signals. The D2’s DACs also incorporate 128X oversampling to increase the sample rate to 24.576 MHz, ensuring the best phase and frequency response possible. Measurable results reflect exceptionally flat frequency response and THD+N in the upper frequencies. This is up to twenty times lower than some of the best high-end outboard DACs, resulting in a much higher level of transparency for multi-channel music and movies. Sonic performance is astounding. Smoother highfrequency response, superior detail, and better image focus—a far more
transparent window on the original performance.
• Anthem’s Own Design! Two dual-core digital signal processing (DSP) engines, our own DSP design, offer a total of 800 MIPS to allow decoding
of the new HD audio standards: Dolby Digital Plus, Dolby TrueHD, DTS-HD High-Resolution Audio and DTS-HD Master Audio. More than
enough processing power to handle even the most complex program material with matchless precision.
• Triple 4 Mbit 8ns external memory is large enough to ensure that the DSP engines never run out of resources.
• An impressive resumé of superior-quality component parts:
– Audio-grade film capacitors and operational amplifiers
– Low-ESR electrolytic capacitors
– Audio-grade signal-coupling capacitors
– High-value (1,000 μF) ADC reference voltage decoupling capacitors for lowest possible THD+N below 1 kHz
• Super-efficient switching power supply:
– Low-noise, low-emissions design
– Multiple-synchronized dithered-frequency isolation stages ensure exceptionally quiet audio and video operation and excellent electromagnetic compatibility
– Fourteen independently regulated output stages ensure optimal operating environment
• 4-layer hand-designed motherboard includes separate power- and groundplanes.
• Independent 6- and 8-layer DSP, A/D and D/A converter boards—A/D and D/A use separate analog and digital planes as well as separate
power- and groundplanes for remarkably low noise.
• All critical signal paths are surrounded by groundplanes.
• Fully buffered audio/video inputs for minimum crosstalk.
• State-of-the-art video switching circuitry is laid out on isolated, independent 2-layer glass-epoxy circuit boards.
• Highest-precision thru-hole passive components.
• Unparalleled analog-to-digital and digital-to-analog conversion eliminates noise in the 20 to 80-kHz frequency band thanks to the high quality of our ADC and DAC designs:
Analog-to-Digital Conversion (ADC):
– Capable of up to 24-bit x 192-kHz resolution
– Six stereo analog attenuators—one for each channel of the 6-channel input, promote greater dynamic range and an impressive reduction in distortion
Digital-to-Analog Conversion (DAC):
– Converters operate at their full 24-bit x 192-kHz resolution
– Switched-capacitor output filters significantly reduce the DAC’s sensitivity to rapid fluctuations in bit rate
– The built-in state-of-the-art upsampler allows the DACs to run at the highest speed (192 kHz) regardless of the incoming digital bitstream, and with extremely low back ground noise up to almost 100 kHz
– High-accuracy clock generator (49.152 MHz, ±0.001%) eliminates the potential for errors in timing, thereby contributing to a significant reduction in the distortion common in D/A conversion

ANTHEM ROOM CORRECTION (ARC)

And then there’s Anthem Room Correction (ARC). Even when the finest speakers are perfectly positioned, the room itself still has a dramatic
impact on a system’s sound, an impact more profound than that of any individual component. Various solutions have fallen in and out of favor
over the years, but none has solved the problem of “the room.” Until ARC.
Using proprietary processes and the power of your PC, ARC analyzes each speaker’s in-room sound and then computes the required correction
to yield optimal performance from every speaker. ARC is garnering rave reviews across the industry.

AND FOR THE AUDIO PURIST

• Analog-Direct available on all inputs
• Tone Bypass disables Bass/Treble adjustment
• Balanced 2-channel XLR digital input for best digital signal
• True-Balanced 2-channel analog input for best analog signal
• True-Balanced analog outputs provide best noise rejection and purest signal transmission



Scarica la brochure del nuovo Anthem Statement D2v

Materiale scaricabile

Catalogo Anthem 2009

Specifiche tecniche

VIDEO SWITCHING
Bandwidth from input jack to output jack (bypass mode for component video)
Composite and S-Video: 70 MHz
Component: Y 110 MHz, Pr 90 MHz, Pb 80 MHz
All analog video inputs and outputs are 75 Ω, 1.5 Vp-p.
ANALOG AUDIO
Input Impedance: 20 kΩ
Output Impedance: Main–RCA 300 Ω, XLR 600 Ω, Zones 2/3 and Record 51 Ω
Rated Input: 2.0 Vrms
Maximum Input: 5.3 Vrms
Minimum Load: 5 kΩ
Rated Output (100 kΩ load): 2.0 Vrms
Maximum Output: RCA 6.3 Vrms, XLR 12.6 Vrms
Headphone Output: 100 mW into 32 Ω at 0.2% THD+N
Volume Control Range: Main: -95.5 dB to +31.5 dB (in 0.5 dB increments), Zones 2/3 and Headphone -62.5 dB to +10.0 dB (in 1.25 dB increments)
Crosstalk (at 1 kHz): 82 dB between channels; 86 dB between inputs
XLR Pin Configuration: Pin 1: Ground, Pin 2: Positive, Pin 3: Negative
DIGITAL AUDIO
Crossover
High-Pass Slope (small speaker setting): 12 dB/octave (2nd order)
Low-Pass Slope (subwoofer): 24 dB/octave (4th order)
Frequency (adjustable): 25 Hz to 160 Hz (in 5 Hz increments)
Tone Control
Filter Type: Shelf
Range: ±12 dB
Bass Turnover Frequency: 200 Hz
Treble Turnover Frequency: 2 kHz
Analog-to-Digital Conversion S/N Ratio (at digital Rec output) (IEC-A Filter): 100 dB
All digital inputs and outputs comply with HDMI , S/PDIF or AES/EBU standards. Sample rate converter output is 24 bit/192 kHz regardless of input.
MAIN PATH (RCA and XLR Outputs)
Frequency Response and Bandwidth
Analog Direct Inputs: 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 130 kHz (+0 -3 dB)
Analog-DSP Inputs at 24/96: 10 Hz to 20 kHz (+0 -0.3 dB), 2 Hz to 44.1 kHz (+0 -3 dB)
Digital Inputs at 24/96: 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 45 kHz (+0 -3 dB)
THD+N (at Rated Input and Output)
Analog Direct Inputs: 0.006% (80 kHz BW)
Analog-DSP Inputs at 24/48 or 24/96: 0.004% (AES17 Filter)
Digital Inputs at 24/48 or 24/96: 0.004% (AES17 Filter)
IMD (CCIF at 15 kHz and 16 kHz)
Analog Direct Inputs: <0.001%
Analog-DSP Inputs at 24/48: 0.001%
Digital Inputs at 24/48 or 24/96: 0.001%
S/N Ratio (ref. 2.0 Vrms, IEC-A Filter)
Analog Direct Inputs: 107 dB
Analog-DSP Inputs at 24/48 or 24/96: 101 dB
Digital Inputs at 24/48 or 24/96: 104 dB
ZONE 2 and ZONE 3 PATHS
Frequency Response and Bandwidth: 20 Hz to 20 kHz (+0 -0.1 dB), 3 Hz to 140 kHz (+0, -3 dB)
THD+N (at Rated Input and Output): 0.06% (80 kHz BW)
IMD (CCIF at 15 kHz and 16 kHz): 0.06%
S/N Ratio (ref. 2.0 Vrms, IEC-A Filter): 97 dB
FM TUNER
Sensitivity 50 dB S/N: 13 dBμ typical, 25 dBμ max.
IHF: 10 dBμ typical, 20 dBμ max.
S/N Ratio Mono: 75 dB typical, 65 dB min.
Stereo: 69 dB typical, 60 dB min.
Distortion Mono: 0.2% typical, 1.0% max.
Stereo: 0.3% typical, 1.5% max.
Stereo Separation: 40 dB typical, 25 dB min.
Alternate Channel Selectivity (±400 kHz): 70 dB typical, 60 dB min.
Frequency Response: 25 Hz to 15 kHz (+0 -2 dB)
AM TUNER
Sensitivity (20 dB S/N): 49 dBμ typical, 56 dBμ max.
S/N Ratio: 50 dB typical, 43 dB min.
Distortion: 0.7% typical, 2.0% max.
One-Signal Selectivity (±10 kHz): 24 dB typical, 18 dB min.
CONTROL
Infra Red
Carrier Frequency: 38 kHz
Maximum 12 V Supply Current: 150 mA
Maximum Emitter Current: 60 mA per output
RS-232 Interface
Connection: DB-9F, straight-wired
Pinout (D2 side): Pin 2: Tx, Pin 3: Rx, Pin 5: Ground
Baud Rate: 1200, 2400, 4800, 9600, 19200, 38400, 57600, 115200
Configuration: 8 data bits, 1 stop bit, no parity bits, flow control (RTS/CTS, none)
Trigger Outputs
Polarity: tip positive, sleeve ground
Maximum Current at 12 VDC: 300 mA between all three triggers
Sequential Delay: 250 ms
POWER REQUIREMENT
Consumption: Maximum 170 W
DIMENSIONS
Height: 14.9 cm including feet; rack-mounting: 3 rack units without feet
Width: Standard version 49 cm, Rack-Mount version 48.3 cm, No-Handle version 43.8 cm
Depth: 38.7 cm
Weight (unpacked): 12.3 kg
AVAILABLE FINISH: Black

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